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Issue 323
Click here to download issue 323 (high quality, 96Mb) Click here to download issue 323 (smaller download, 47Mb) more
End frame: Mussels in the Sand by Theo Bosboom
The strong contrast between the black and blue mussels and the light, partly transparent stones makes the eye jump between the shells. The dark color of the colonies contrasts with the orange sand bed. more
Bonnie Lampley – Portrait of a Photographer
One of the most compelling aspects of Bonnie’s work is her pursuit of abstraction. Her approach moves beyond the confines of representational photography, seeking to distill nature into its purest forms. more
Xavier Lequarré
In our society, emotions are often "suppressed." We are no longer connected to our bodies, to our deepest feelings; we live in our heads. This disconnects us from ourselves and our environment. Conscious photography aims to reconnect us to our sensations and emotions in the present moment. more
Direct to Plate Photogravure
After success with carbon ink printing by Cone Editions, I noticed they had a lot of photogravure classes and I was curious. How would photogravure compare to carbon ink? Does it look different? Would it get more attention? Is it more durable? more
On Engagement with ‘Form’ Part Two
But the outcomes, the benefits of having those conversations, the benevolence taking root, that I am made better by having such conversations, and the stories that I have made from them in my images must be shared. more
Cleansing the Soul
As the golden light of morning penetrates the veil of fog and pierces through our lenses, all our photographic senses are heightened, and there is nowhere else that we can be but right here in the ‘now’. more
Issue 322
Click here to download issue 322 (high quality, 69Mb) Click here to download issue 322 (smaller download, 35Mb) more
End frame: Ash tree, Balmacara by Colin Prior
In this autumnal palette, death does not mean the end but a transformation. The ash resists mourning its loss and does not shrink from its bareness. The elder stands with a quiet confidence, unshaken, an echo of strength. more
Any Questions, with special guest Paula Pell-Johnson
In episode fourteen, we talk with Paula Pell Johnson, who shares the history and evolution of her family-run photography business, Linhofstudio, and much more more
Anne Campbell
My love for the Scottish landscape and its remote locations is, for me, better represented using a variety of darkroom processes and papers, than being a perfect HD colour image. more
Can You Hear the Music?
The most important tool of photography is your mind. Keep it sharp. Avoid distraction. Fill it with knowledge about your subject matter. more
Winter Colour
My philosophy of photography has evolved a few times over the last decade, but there’s a core question I keep coming back to: am I doing a thing in order to create images, or am I doing it to have an adventure and maybe create image opportunities along the way? more
The Challenge of Over Shot Locations
When I arrived, I came across another challenge: How do I go about photographing an area which has been shot to death by so many other photographers in the past? more
