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Mark Littlejohn Tripods
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The Hypnosis of the Tripod

Some might feel a better connection to the landscape when they use a tripod. It slows them down, their breathing steadies, and they can relax and see clearly. more

On Landscape Issue80
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Issue 343

Click here to download issue 343 (high quality, 121Mb) Click here to download issue 343 (smaller download, 68Mb) more

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End frame: Les Grandes Jorasses, by Pierre Tairraz

The foreground spires in the photo seem to point to two cloud-filled couloirs of the mid-ground Taléfre, and their angle is identical to the massive couloirs of the north wall of the Grandes Jorasses, further back. more

Onl 4x4 20221025 035 F1
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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Goran Prvulovic, Kate Snow, Uwe Beutnagel-Buchner & Yasser Alaa Mobarak. more

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El-Max Lighthouse in El-Max Region, West Alexandria, Egypt

El-Max Lighthouse in Alexandria stands as a quiet sentinel on the edge of the Mediterranean, where the sea meets history. more

Onl 4x4 20241104 060 F1
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Scotland’s Native Woodlands

These images are part of a running project which objective is to generate attention on preserving, rewilding and expanding native woodlands. more

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Dario Perizzolo – Portrait of a Photographer

Dario’s work reminds us that photography does not need to shout to be meaningful. Sometimes its greatest value lies in helping us listen more closely, to the landscape, to one another, and to ourselves. more

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Stillness. In Motion.

Over time, I’ve come to see Stillness. In Motion. not as a project, but as a journey of discovery. It was born out of change, guided by intuition, and shaped by the landscape itself. more

Immersive On Landscape Images © Bill Ward Photography (3 Of 11)
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Bill Ward

In the water, for me, it’s the wild days that are the most life affirming, in many ways. Where you have the strongest sense of the power of Mother Nature, and the visceral connection, I suspect we all have with her at some level. more

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Without a plan to the Opal Coast

What did the trip ultimately bring me? First, a lot of enjoyment. It was wonderful to be completely focused on photography again for a few days, and without a group to guide or pressure to come home with good and usable images. more

Ol
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Eight Vignettes of Torridon

This early fascination made returning inevitable, but as a student, travel required planning and compromise. Scotland’s free bus travel scheme for under 22s offered me both an opportunity and a challenge. more

On Landscape Issue80
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Issue 342

Click here to download issue 342 (high quality, 151Mb) Click here to download issue 342 (smaller download, 102Mb) more

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End frame: “Maple and Birch Trunk & Oak Leaves” by Eliot Porter

The central pattern of vertical elements could mean two things, I think. Are there two red trunks bounded by the dark space behind them? Or are there three nearly black trunks against an autumnal background? more

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Intimate Landscapes Cut from an Infinite Tapestry

Wawrzonek is a master of the intimate landscape. Since the 1980's, he has been shooting colorful small scenes, images of ground cover, pond plants, reeds, and frost-covered foliage more

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Shelters

“Shelters” is a documentary series of photographs that examines the visual parallels between World War II sea defences on the Moray and East Highland Coast and a unique, man-made driftwood structure previously located at the mouth of the River Spey more

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