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End frame: Point Five Gully by Jean-Marc Boivin
This image’s stop-you-in-your-tracks shock and awe works precisely because the climber is obscured, dehumanised, turned into an object or perhaps an extension of the mountain. He is marked, claimed. more
Lightroom Insights
This time, we're looking at a couple of images submitted by Ross Davidson. They're both taken from near the summit of Ben Nevis and feature a few editing challenges. more
Hanneke Van Camp
Arctic Europe is a vast and diverse region, but while the environments themselves can be quite different, from mountains and fells to taiga, tundra and the coast, there’s also a certain consistency in the kind of light, atmosphere and the sense of space. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey. more
How to Develop Your Composition Skills by Ignoring the Grand Landscape
Instead of recipes and rules, I found a framework: Once we, as photographers, have found a scene we want to turn into a photograph, we can layer and blend these concepts, choosing the best tools based on the subject we are photographing and the visual message we hope to convey. more
Zalman Wainhaus – Portrait of a Photographer
He is interested in the moment when a dune ridge catches fire for thirty seconds at dusk, or when fog reduces a canyon wall to a suggestion, or when a single autumn leaf lands on rippled sand and becomes the only warm note in a composition of cool curves. more
Ballachuan Wood
The fact that this wood has not been ‘farmed’ has, over time, allowed a rich and complex ecosystem to evolve, supporting the interconnection between trees, fungi, bryophytes, lichens, insects, birds and animals. more
Issue 348
Click here to download issue 348 (high quality, 78Mb) Click here to download issue 348 (smaller download, 45Mb) more
End frame: Invasion of the Ermine Moths #1 by Theo Bosboom
Theo Bosboom renders a surreal, caterpillar-woven landscape both believable and deeply affecting through an honest, subjective perspective that reveals the strange as something real, even if not fully understood. more
Any Questions, with special guest Joe Rainbow
In this conversation, Tim Parkin and Mark Littlejohn talk to photographer Joe Rainbow about his local landscape photography, artistic influences, and the mindful approach to capturing intimate scenes. Discover how his background in art and teaching informs his unique perspective on photography and the importance of limits and technical mastery. more
365 / March 2026
Lochaber includes a large area, from Spean Bridge in the North to Rannoch Moor in the South and from the Grampians in the East to the Small Isles in the West. more
Lesley MacGregor
What I learn from the geometry and simplicity of architectural photography helps me see light and shape in the landscape. What I feel in a minimal landscape allows me to simplify my architectural photography. more
The Royal Photographic Society Landscape Group
This is the 7th outdoor location for the 2025/26 event, with tens of thousands having already seen these 80 beautifully printed images. more
Walking with Tolkien
I looked at the map I had brought, showing the route of Tolkien’s 1911 trek through the mountains. The group had started on the valley floor near Interlaken, then travelled through Lauterbrunnen and on toward the foot of the Eiger, which towers just under 4,000 metres. more
Photographing from my Kayak
I had enjoyed kayaking for exercise and as a means of exploring far and wide from the water in my younger years, my ’yak has recently become an important part of my current photographic tool kit. more