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Issue 345
Click here to download issue 345 (high quality, 140Mb) Click here to download issue 345 (smaller download, 73Mb) more
End frame: The Frozen Swan by Fortunato Gatto
Let creativity be the true driving force that transforms landscape and natural elements into art—not only for the photographer, but for each of us, rediscovering our personal ability to dream and interpret when confronted with such images. more
Lightroom Insights
The last time Joe Cornish and I met up we were talking about Lightroom and how much it had changed since our original 'Creative Lightroom' series covering techniques and post processing creativity. more
Trym Ivar Bergsmo
I don’t know if anything can be worthy of summarising a life, but I know I can describe the small part where our spheres collided for a while and ask some friends for a few words. more
Joy Kachina
During my time with the Ciders, I often found myself deeply moved, sometimes to the point of tears, without understanding why. Later, after speaking with a Palawa elder, I gained a clearer understanding. more
Abby Raeder – Portrait of a Photographer
Before we ever speak about technique, location, or even subject matter, there are quieter questions that deserve to be asked. What does it mean to really see, not just to look, but to feel a place as it drifts through memory and emotion? Where does perception end and imagination begin? And what happens when photography becomes less about recording the world and more about entering into a state of attention that feels closer to dreaming than documenting? more
Mystery
A sense of mystery is a quality I strive to include in my imagery. In writing a rhetorical question provides interest and depth, in photography mystery is the rhetorical question. An unanswerable question is a powerful source of interest. Mystery in a photograph is the un-answerable question posed by some element or elements in the image. The answer to that question, however, is only what the imagination of the viewer suggests and then often only in a subliminal manner. more
Issue 344
Click here to download issue 344 (high quality, 216Mb) Click here to download issue 344 (smaller download, 79Mb) more
End frame: Hashikui Rocks, Study 1, Kushimoto, Honshu, Japan, 2002 by Michael Kenna
Considering these many layers of interpretations, it feels almost as if the image is a statement on time: the smooth water surface indicates a long exposure. more
2026 / 365
I’ve restarted a practice I first tried about five years ago, taking one photograph a day for the whole of 2026. more
Any Questions, with special guest Norman McCloskey
In this episode, Tim Parkin and Mark Littlejohn talk to Norman McCloskey about his journey from sports photography to becoming a renowned landscape photographer in Ireland. more
Spirituality
Resonance was described as a relationship based on action and intuition with a practical description of three modes: Iconic, Schematic, and Conceptual. This article looks beyond the surface for a deeper resonance in the spiritual domain and the role photography plays. more
Feli Hansen
After about three months, I had some initial images, but apart from the subject, I missed the coherence. The iceberg was one of them and triggered me. Not much later, the ice cave appeared, and that’s when the idea for the "Guilty Trashures" slowly took shape. more
Walking with Tolkien
The name Grindelwald reminded me of places not far from my own home in Wales, though here the landscape was on a grander scale. Turning off the main road, I drove deeper into the valley — into what felt unmistakably like Rivendell. more
The Hypnosis of the Tripod
Some might feel a better connection to the landscape when they use a tripod. It slows them down, their breathing steadies, and they can relax and see clearly. more