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Lightroom Insights
In this instalment, Joe Cornish and Tim Parkin edited each other's raw files in Lightroom as a way of looking at real world techniques and strategies more
Ian McKeever: Seven Stones
Standing before Ian McKeever’s monumental black and white photographs of the Avebury stones, one becomes aware less of landscape than of bodily scale, of weight, surface, proximity and time. more
Interrupted
Captured over the winter of 2025, these images were made with an infrared camera in pouring rain, from inside my car. more
Issue 351
Click here to download issue 351 (high quality, 168Mb) Click here to download issue 351 (smaller download, 99Mb) more
End frame: Rocky Mountains by Albert Bierstadt
This painting by Albert Bierstadt, created in the 1860s, exists somewhere between a real inspiration drawn from the Rocky Mountains, which he genuinely explored, and a reconstructed, almost dreamlike vision. more
Magnus Reneflot
For Magnus, childhood treasure hunts fostered a lifelong curiosity about nature and a deep appreciation of friendship. Competitive instincts were there too and helped to spark a deep interest in birdwatching, which has undoubtedly gone on to shape his vision as a photographer. more
Verden Omkring Os (The World Around Us)
Exhibition at the National Collection of Photography, The Royal Library, Copenhagen, Denmark. Open from November 18, 2025, to November 18, 2028. more
Kebler Pass Aspen Forest
For more than thirty years, I have wandered the aspen forests of North America, learning their secrets as one learns the quirks and stories of kin. more
The Tortoise and the Hare
I hadn't realized just how many steps of the photographic creative process were being removed by digital. Focusing, exposure adjustments, and not having to give a fig about how many photos you can take, to name a few. more
The Killing Time
Looking back into the darkness of The Killing Time does not bring answers; we still live in dark times and are still making the same horrific mistakes; the shadows of division, intolerance and brutality follow us today. more
Beyond the View
How to approach the over-photographed landscape and get beyond the fear of producing yet another cliche - or worse - a postcard! The trouble with the Peak District’s Dove Valley is that it is just too darned pretty for its own good. Its inclusion in Izaak Walton’s ‘The Compleat Angler’, first published in 1653, put it on the map of ‘must see destinations’ for every well-bred gentleman (and woman) who had both the ability to read and the resources to more
Issue 350
Click here to download issue 350 (high quality, 151Mb) Click here to download issue 350 (smaller download, 99Mb) more
End frame: Buttertubs Winter by Richard Walls
Whilst out and about I have also enjoyed visiting the many exhibitions taking place all over the Yorkshire Dales as the whole area is a haven for talented artists and crafters displaying and selling their creations to the thousands of people that visit and live there. more
Karen Waller
The parts of the workflow that most interest me are capture – as mentioned, and being in that creative and mindful space. I enjoy the post-production and how the changes can be dramatic or nuanced. more
The Colour of Water by Francesco Carovillano
Water doesn’t have colour, in fact, water is almost impossible to photograph. What we really see when we photograph water in its many forms is just a distortion - sometimes minor on still, calm days when a reflected view can be indistinguishable from its original scene. more