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Nyx #60006
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End frame: Nyx #60006 by Anna Cabrera & Ángel Albarrán

An image I keep coming back to in particular is this work from Albarrán Cabrera’s series ‘Nyx’. The name derives from Greek mythology, where the goddess Nyx is the personification of the darkness and is considered one of the first beings to exist. more

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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Martin Küenzi, Sanjeev Kumar Yadav, Stefano Balma & Tony Gaskins more

Welcome Stranger Murray White
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A Connection Through Landscape Shaped from Within

It was not until B&W entered my photographic life in recent years that an alternative way of seeing became not only possible, but necessary. more

Veil
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Kavin Chawla

In the end, the most decisive part of my workflow happens long before the shutter: studying tide tables, watching satellite loops, and revisiting places until I know how they breathe. Equipment matters, but the biggest creative choices are made with boots on sand and eyes open to change. more

Any Questions Title Benhorne
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Any Questions, with special guest Ben Horne

Tim Parkin and Joe Cornish talk to Ben Horne about his work and processes, including large-format photography, exploring Ben's unconventional approach, the challenges and costs of film photography, and the creative process that comes with it. more

Pont Des Arts, Study 1, Paris, France, 1987. © Michael Kenna
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Michael Kenna’s Darkroom Diaries

Retouching helps the viewer look into and around a print. It is also another option to edit out areas we do not want to attract attention to. Most of us are now familiar with digital retouching. more

7050766
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With my Head in the Clouds

During this year’s (2025) spring and summer, I was quite taken by cloudscapes over the big city where I live and having a decidedly non-photogenic urban foreground, I was moved to shoot just the skies. more

On Landscape Issue80
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Issue 339

Click here to download issue 339 (high quality, 107Mb) Click here to download issue 339 (smaller download, 39Mb) more

Shimmer Flame Onlandscape
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End frame: Shimmer & Flame by Simon Baxter

Looking at Shimmer & Flame brings back memories of my own autumn forest wanderings. Though few of them had such perfectly magical conditions. more

6 Genova
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Impermanence is the Language of Nature

Impermanence is nature's language. Translating this language into photographs is what I try to do with my shots. more

Dsc1577
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Nigel Danson

After a life changing experience in Yosemite National Park, he left behind a successful corporate career to follow his love of landscape photography. Today, Nigel is known for his painterly woodland scenes, his inspiring YouTube channel with half a million followers, and his commitment to sustainable, meaningful creative practice. In this conversation, he reflects on rediscovering joy through photography, the value of printing, the collaboration with Fotospeed developing the Natural Smooth 310 paper, and his ongoing mission to capture every more

Joydivision
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Thinking Small in Fall

In the weeks following ‘peak fall color,’ I enjoy how the trees look without so many leaves–showing more of their trunks and branches which reveal more lines and structure to compose with more

Nigelcooke Inspiration And Illusion 9
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From Inspiration to Illusion

I, too, have been struggling with my creativity, with the future. Full of fears and self-doubt. I feel for them when things go wrong, and am elated when they catch a break. more

R. De Loe On Landscape 08
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Navigating the Currents of Art and Science

More recently, some scientists are focusing on links between science and art. For example, natural scientists in the “SciArt” community are creating art using photographs of scientific processes and phenomena, with the goal of making science more interesting for the wider public. more

Kenny Muir 379 57958
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Natural Landscape Photography Awards 2025

Every year since year two, we have tried to include some ‘special awards’. There were created for a few different reasons. Primarily to ensure that certain classes of image that may be under or over represented in the main categories can have a focused outlet. E.g. in the first year we included Rocks & Geology, Trees & Forests, Snow & Ice, Mountains and Rivers & Seas. These just seemed to be some core subjects to include. We also an more

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