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Issue 191 PDF
Click here to download issue 191 (high quality, 100Mb) Click here to download issue 191 (smaller download, 55Mb) more
Luminosity and Contrast by Alister Benn
Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more
End frame: Reclaimed | Padley Gorge , The Peak District by Matt Oliver
It was becoming clear time had been spent with the subject Matt was photographing by really studying the landscape - using his foreground effectively to draw you in immediately. more
Little known Idaho gems
The authors have driven every route to ensure each trek's accuracy and attractions, from breathtaking scenery and landscapes to artefacts that still occupy these unique spaces and speak to Idaho's fascinating history. more
Tina Freeman’s “Lamentations”
The project Lamentations is a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of things across time and space. more
It’s Time We Were Critical
Used this way, by explaining why something works and constructively criticising less well-executed work, criticism can really help others improve their work. more
Abstracted:Architecture
Abstracted:Architecture is a study of the buildings in and around Canary Wharf as they relate to the bodies of water that surround them. more
Dan Baumbach
You’re very much in the present moment creating out of nothing. Thought only comes into it when you try to actualise what you’re seeing. You need to think about exposure, focus and all that. more
A walk through place and time
The focus of the walk is often in my thoughts and always in view as I draw closer to the village in which I have made my home in rural Aberdeenshire in the North East of Scotland. That focus is Barra Hill, an iron-age hill-fort that defines the landscape surrounding the village where I live more