on landscape The online magazine for landscape photographers
Category Archives: 207
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Issue 207 PDF

Click here to download issue 207 (high quality, 130Mb) Click here to download issue 207 (smaller download, 73Mb) more

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End Frame: ‘Dead Camelthorn Trees, Dead Vlei, Sossusvlei, Namibia’ by Frans Lanting

To draw attention to the story he wants to tell, he has to make images which are beautiful, creative and compelling. Therefore, he is always looking for different perspectives and different ways to show us the world. more

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Daniel Bergmann

That process of finding a composition that works for me can be quite meditative. Mostly different from what I've felt while practising sitting meditation, but in some ways similar. more

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Motivations in Landscape Photography

I urge each of you reading to articulate if only to yourself, what motivates you and why, and what you do to drive your own motivation. more

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Subscribers 4×4 Portfolios

This issue our 4x4 landscape photography portfolio features are from subscribers: Gaetana Ebbole, Alex Hare, Keith Snell and Daniele Bellucci more

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Portrait of a Photographer- Jimmy Gekas

He approaches every trip and scene with the same lack of expectation and embodies what the Buddhists call “Shoshin,” which roughly translates as “beginner’s mind.” more

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The Illusion of Reality

A fundamental fallacy here is that post-processing is viewed with suspicion and is always accused of being manipulative, while the creative decisions made before triggering that button on the camera are completely free of it. more

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Lockdown Podcast #6

Another instalment of the lockdown podcast where Tim Parkin, Joe Cornish and David Ward discuss a few questions around photography. more

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Three Rocks, The Butt of Lewis

The textures and patterns, angles and structures are visible amid the many seabirds that cling to the rocks and swoop in and out of the waves. more

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The Hill

It is a remarkable unremarkable place that plays an important part in my photography, though not necessarily in terms of actual photographs. more

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