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Issue 211 PDF
Click here to download issue 211 (high quality, 147Mb) Click here to download issue 211 (smaller download, 93Mb) more
End frame: ‘A seat not taken’ by Lars van de Goor
The muted colour palette is sublime, the soft green tones and the delicate balance of the white foliage convey a real sense of spring more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Christoph Geiss, Mihai Fagadar Cosma, Roy Money & Steven Cutts more
Noise Reduction
As noisy as our world is today, it is likely to get noisier still in the years ahead. Merchants of noise—those who profit from noise—are no longer just minor inconveniences, they are enormously powerful media machines. more
Edweard Muybridge
It’s hard to write a short review of Muybridge’s life without sounding like one of Tom Sawyer’s exaggerated stories more
Escaping Oblivion
The emotional and psychological uplifting, the mental elevation you will feel when you find that true connection with your subject is far superior to the ephemeral appraisal of a well-constructed image that will be forgotten in the oblivion most photographers live in today. more
Lockdown Podcast #8
A short podcast this time as a few of you groaned at the amount of time you had to listen to us waffle for so this issue it's a thirty-minute dip into three topics. more
Alex Nail
I simply find that taking on more difficult tasks helps me to find value in what I do. Particularly in the sub-genre, I am in of ‘classic grand landscape photography’. more
Close to home
I live in a place where the scenery makes it almost impossible to take a bad photograph and so, I finally did some stern self-admonishing and made a deliberate effort to try and see the village differently and shoot nearer home. more
Portrait of a Photographer – TJ Thorne
The ones that seem as though they were photographed in cold conditions somehow make me feel calm and at peace with the world. more
One day ~ Time in landscape photography
That morning provided me with over two hours of snap shooting interrupted by some instances of contemplation. As a result, a series of 15 photos taken in a silence only broken by the stir of a distant breeze. more