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Category Archives: 228
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Issue 228 PDF

Click here to download issue 228 (high quality, 183Mb) Click here to download issue 228 (smaller download, 126Mb) more

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End Frame: Gull’s Nest, Midsummer Eve, Isle of Skye by Bill Brandt

I saw this at an exhibition sometime in the 1980s and it made a deep impression on me. The nest in the foreground with its three eggs and a single feather has a wonderful sense of intimacy, of secrecy. more

Guissecliffe, Nidderdale. GFX100S, 80mm 1/50th sec F13 3 Frame Stitch
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The Perfect Landscaper’s Camera?

In all other respects the 100S is great news, a smaller packable camera backed up with a good well fleshed out lens system and with a modern and malleable sensor. more

Inner Sanctum
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What Is Real?

We must be unapologetic and explicit in our aim to show viewers things they almost certainly would not see on their own, to inspire in our viewers experiences they would never have if it were not for our subjective sensibilities and feelings, our creative and expressive skills, and not just our technical abilities. more

Fractured Granite, Reflection
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G Dan Mitchell

It was probably over a decade ago, more like 15 years I imagine, when I first saw Dan's photographs. I think it may have been on Fred Miranda or possibly via a blog circle. more

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Jennifer Renwick – Portrait of a Photographer

I decided to focus on the artwork of a photographer who has long inspired me, not only because her photographs are powerful, evocative, and unique, but because she is one heck of an amazing person and a fabulous steward of the natural places we all cherish. more

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Familiarity Breeds Content

Many photographers believe that repeatedly visiting a location not only gives them that familiarity with the area to more easily get better photographs of subjects they know well, but crucially they also find it easier to make more incisive new images, showing the character of a location and how it changes with light, weather, seasons and indeed the photographer’s own mood. more

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West of the Sun

Back in January one of our readers, Anna McNay, got in touch to see if we'd be interested in an interview with Toby Deveson. He uses his old Nikkormat and the same 24mm lens that he ‘borrowed’ from your father more than 20 years ago. He finalises each frame in-camera and doesn't crop images in the darkroom. I more

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The Devil’s Dictionary

Many of you will already know or will have heard of The Devil’s Dictionary by Ambrose Bierce which is often cited as one of the greatest satirical works of American literature. more

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