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Issue 230 PDF
Click here to download issue 230 (high quality, 133Mb) Click here to download issue 230 (smaller download, 90Mb) more
End frame: Winter Morning by Theo Bosboom
At first glance, there’s not much happening in the bottom half of the frame, but it’s a wealth of fine texture and colour nuances, bringing a subtle line up from bottom left towards top right that meets the curve of snow crust. more
Judge or Be Judged
I’ve written quite a lot about competitions in the past but being as we’re so close to the opening of submissions for the Natural Landscape Photography Awards, I wanted to go into a bit more detail about the process of judging more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Derrick Sansome, Jerome Colombo, Johan Lennartsson & Rocky Thies. more
Ali Shokri
I never changed my vision, I strengthened it to look differently at the trees. They are not created just for fruits, they have another message. They have feelings, they live just like us. more
Wayne Suggs – Portrait of a Photographer
Wayne and another photographer by the name of Mike Groves were instrumental in the creation of the Organ Mountain Desert Peaks National Monument. more
The Transformational Power of Winter
Moorland streams, usually unnoticed, take the guise of snakes, upturned feeding troughs become space invaders, rough moorland becomes sand dunes, roads become lightning strikes, riverbanks ice realms. more
On Equivalence, Expression, and Art
Photographers aiming for equivalence are most often those who are intrinsically motivated to find value in the creative process for its beneficial effects on their own psyche and on the quality of their inner experiences. more
The Art of Leaves
There is artistry to a leaf that I find hard to put into words. In looking at leaves, the colours and veining, the patterns and textures, I get a good feeling. more
Turning Back from the Edge of the World
Overall the mood is quite dark and brooding. There is even a sense of melancholia, particularly if we bring our knowledge of these deserted, abandoned islands to the image itself. At St Kilda and Boreray we have reached the end of the world but we are not welcome. more