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Mário Cunha
Looking at the map and after doing some research, the only place that fit my requirements was Peneda-Gerês National Park, particularly Gerês mountain range. more
Issue 261
Click here to download issue 261 (high quality, 158Mb) Click here to download issue 261 (smaller download, 107Mb) more
End frame: Rain and Cliff, Milford Sound by Craig Potton
It is a testament to Craig’s simplified working practice in which he doesn’t use filters, is limited to two or three prime lenses and makes compositions on instinct, preferring not to have to think too much. more
Gin Rimmington Jones
Perhaps encountering landscape with what you feel and sense rather than what you think and remember, will open up a deeper engagement with land as a space of interconnections, of co-existence and infinite wonder; a place of revelation and encounter. more
Project European Canyons
The unknown of European canyons was one of the main reasons for me to start a new book project on this subject a few years ago, besides my fascination for (the power of) flowing water, my interest in mountains, rocks and geology and my love for rough, unspoilt nature. more
Viktoria Haack – Portrait of a Photographer
Perhaps the most compelling aspect of Viktoria’s work is how she can cross-pollinate multiple sub-genres of photography to differentiate herself from the rest of the pack. more
Heraclitus and Panta Rhei – Everything Flows
Panta Rhei, translated as Everything Flows, is an aphorism that is often used as a short summary of the concepts of the Greek philosopher Heraclitus of Ephesus, more
Anweledig Naw
I don’t know if I have succeeded or not, but it has given my love of this approach to photography a purpose, and it has helped me to focus my attention on my intention. more