Issue 291
Click here to download issue 291 (high quality, 168Mb) Click here to download issue 291 (smaller download, 118Mb) more
End frame: Laurent Kronental « Souvenir d’un Futur »
At a time when questions of representation and representativeness are often raised in documentary photography, it's interesting to note how a singular approach manages to stand out and offer a more subjective view of a subject. more
History of Art and Landscape – Part Four
Continuing our look at the history of landscape, I was looking for the next significant artists or art after the Dutch Golden Age, which I talked about in the previous article. In most of the books on art that I’ve seen, Claude ‘Lorrain’ Gellée gets mentioned repeatedly as the artist who raised landscape painting up to be considered a significant art form and who gets ‘rediscovered’ during the romantic period by Constable, Gainsborough, Turner, etc. If you'd like to take more
Xuan-Hui Ng
Xuan-Hui Ng began photographing as a form of self-therapy while she was grieving the loss of her mother. Spending time in nature gave her a sense of perspective and reignited a sense of wonder, reminding her that there is much to live for. more
Where the Trees Live
During an excursion through the Taunus mountains, I passed through one of the many beech woods that cover the mountains. more
Klaus Axelsen – Portrait of a Photographer
One of the most compelling aspects of photography is the fact that every photograph is a two-dimensional representation of a three-dimensional world, and yet there are photographers who are able to utilize techniques to trick the human eye into seeing two-dimensional objects in three dimensions. Even more fascinating is that through the use of shutter speed and aperture, a skilled photographer can also incorporate the fourth dimension - time. more
Mewslade Bay
Over the course of 25 years, I’ve been taking photographs at Mewslade Bay on The Gower peninsula and at every visit, I find fresh interpretations and compositions. more