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Issue 294
Click here to download issue 294 (high quality, 156Mb) Click here to download issue 294 (smaller download, 112Mb) more
End frame: Quietly – Marin County Hills, CA (Infrared) by Nathan Wirth
Titled “Quietly - Marin County Hills, CA (Infrared)”, this image is a striking example of how black and white photography is more, not less. more
Ian Hill
Photography is a process of enquiry; he observes, listens, and tries to understand the land. Although he lives in a well-known area, his black and white images abstract place and question our connection and response to it. more
A Passion in Question
Whether I call myself a photographer or a photographic artist, it’s what my life centres around. It has given my life purpose. And yet, I ask myself, do I love photography, or instead do I love what photography offers me? more
A Classification of Landscapes
Inspiration comes in many forms. In this case, it was reading The Ongoing Moment by Geoff Dyer that provoked an idea. Dyer, right at the beginning of the book cites the Jorge Luis Borges short story called The Analytical Language of John Wilkins. more
Voices
But where is home if not in our minds? And what is a voice, if not the loudest expression of one’s self? more
Signs of Devotion
It is often said that painting is an additive art (defined by what is put in) while photography is subtractive (defined by what is left out). Yet Signs of Devotion is filled with many images that seem defined by what is left in. more
Sands of Forvie
There is something special about losing yourself in the photographic process, trying to create a series of works within a tight time and geographical constraints. On reflection, it is the way that I work within my projects, although never intentionally. more