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Winter Colour
My philosophy of photography has evolved a few times over the last decade, but there’s a core question I keep coming back to: am I doing a thing in order to create images, or am I doing it to have an adventure and maybe create image opportunities along the way? more
The Challenge of Over Shot Locations
When I arrived, I came across another challenge: How do I go about photographing an area which has been shot to death by so many other photographers in the past? more
Issue 321
Click here to download issue 321 (high quality, 131Mb) Click here to download issue 321 (smaller download, 92Mb) more
End frame: Papaver Nudicale by Tine Poppe
The flowers, just past their peak and beginning to wilt, are set against the smoky, foggy and greyed landscape backgrounds, which evoke the tumult and terror of Romantic era painters working in nature’s Sublime. more
Charles Millen
The move also reignited my passion for photographing Tasmania’s wilderness. Adjusting to life back home took time, but it allowed me to develop the skills needed to explore and photograph remote areas confidently. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Enzo Crispino, Goran Prvulovic, Mika Stetsovski & Peter Berlinghof. more
Brenda Tharp – Portrait of a Photographer
Her connection to nature deepened over the years, and she ultimately carved out a career in editorial and commercial photography. Yet, it was her passion for outdoor and nature photography that called her back to her roots. more
The Art of the Print
Recently, I had the opportunity to participate in the Swedish Photography Championships, where I was thrilled to win in the Landscape/Nature category. The competition begins with a digital qualification and transitions to a print final. more
The Big Move
And that love, that feeling of awe at the smaller and smaller world around me, led me to take all sorts of images that would have been beyond my more narrow-minded Cumbria persona. more
Reading the Landscape
Choosing to follow an instinctive rather than intellectual pathway through an image and its supporting text does not necessarily weaken the veracity of the subject matter either. more
Issue 320
Click here to download issue 320 (high quality, 172Mb) Click here to download issue 320 (smaller download, 145Mb) more
End frame: Big Horn Sheep and Mesa Arch, Canyonlands National Park by Whit Richardson
On the day Whit made this image, he arrived early and photographed sunrise from these more conventional perspectives. After some time close to the arch, he walked farther back to experiment with compositions at a distance. more
Exploring Sumi-E
These three techniques—Sumi-e, Negative Space, and black-and-white photography—have inspired a series of images that can really only be created during snow-rich winters. more
René Schädler
At such moments, I stretch out my arms and take a deep breath, trying to anchor the indescribable feeling of vastness and stillness within me and - as best I can - transfer it to the picture. more
Fontainebleau – Intimate Landscape: A Book Review
If there is a single place that could be considered the home of the modern landscape, I’d have to choose Fontainebleau. Note that I say landscape and not landscape photography ... more