Join the conversation
Subcribe to comment rss feed
The Larch Ascending
Larch is generally considered to be fast growing and in forestry nurseries can be used as a wind-break to protect slower growing trees such as oak and beech. more
Issue 295
Click here to download issue 295 (high quality, 107Mb) Click here to download issue 295 (smaller download, 51Mb) more
End frame: Advendalen by Sandra Bartocha
The ethereal lighting illuminating the mountainside is what immediately draws the viewer into the landscape. This low sunlight radiates a warmth that perfectly complements the cold blues of the arctic tundra. more
Varanger Fjord in Winter
I went back to a photo trip that was perhaps the perfect trip in many ways, a winter trip to the remote Varanger fjord in northeastern Norway. I'm going to explain why this was such a special trip for me, will you travel with me? more
Vanda Ralevska
I never set out with any intention to make any of my projects. They all come out as a result of experiencing the world. Go out and respond to what you see and feel. Figure out what excites you and what you feel passionate about more
Craftsmanship or Intuition
Craftsmanship is a process, not a finish line. It is developed by constantly challenging what you know already to see if you can go further, by unlearning the learned and by being willing to let go of things that might work but no longer express who you are and questioning what you are being told. more
Sho Hoshino – Portrait of a Photographer
Sho has been able to create a sense of depth by using three tools - colour, texture, and light. By pairing complementary colours such as red and green, Sho masterfully gives the eye a way to move through the frame. more
The Visual Language of Aerial Photography
There has been a proliferation of aerial images in contemporary Australian landscape photography. These aerial images are quite often very abstract in nature, which begs the question – what is the visual language of aerial photography? more
Issue 294
Click here to download issue 294 (high quality, 156Mb) Click here to download issue 294 (smaller download, 112Mb) more
End frame: Quietly – Marin County Hills, CA (Infrared) by Nathan Wirth
Titled “Quietly - Marin County Hills, CA (Infrared)”, this image is a striking example of how black and white photography is more, not less. more
Ian Hill
Photography is a process of enquiry; he observes, listens, and tries to understand the land. Although he lives in a well-known area, his black and white images abstract place and question our connection and response to it. more
A Passion in Question
Whether I call myself a photographer or a photographic artist, it’s what my life centres around. It has given my life purpose. And yet, I ask myself, do I love photography, or instead do I love what photography offers me? more
A Classification of Landscapes
Inspiration comes in many forms. In this case, it was reading The Ongoing Moment by Geoff Dyer that provoked an idea. Dyer, right at the beginning of the book cites the Jorge Luis Borges short story called The Analytical Language of John Wilkins. more
Voices
But where is home if not in our minds? And what is a voice, if not the loudest expression of one’s self? more
Signs of Devotion
It is often said that painting is an additive art (defined by what is put in) while photography is subtractive (defined by what is left out). Yet Signs of Devotion is filled with many images that seem defined by what is left in. more