A Bridge, Not a Barrier
Not every meaningful experience we have in nature can or should be turned into a photograph either. It’s important to be able to recognise when a moment is too fragile or too fleeting, and in order to still be able to experience it ourselves, to not attempt to photograph it at all. more
Seven Years in the Desert
One of the most personally rewarding aspects of moving to California eight years ago has been my discovery of, and growing fascination (some would say obsession) with, the incredible desert landscape of Joshua Tree National Park. more
Issue 285
Click here to download issue 285 (high quality, 133Mb) Click here to download issue 285 (smaller download, 66Mb) more
End frame: Music Temple, Glen Canyon, Utah by Tad Nichols
Music Temple shows a calm curved section of the Colorado River as it runs beneath curved buttresses of sandstone. The bright sunlit sections contrast with the dark streaks of desert patina on the rock. more
Fieldwork by Finn Hopson
Finn Hopson lives in the south of England, very near to the South Downs a range of rolling landscape that ranges from Winchester to Eastbourne. The land has been farmed for many generations, definitely as far back as the early Roman occupation and almost certainly going back to times just after the ice age. more
Misaki Nagao
I was also very proud that my photos of the forests in Japan were recognised. It is not that I shot the photos to win an award, but I am happy that the light, trees, and textures that I think are good caught the eyes of prestigious photographers. more
Phenomenological Landscapes
There is, however, another side of this aspect of being a photographer that can have benefit in our interactions with the phenomenological landscape. A camera is a separating device but also a means of focusing our attention. more
David Thompson – Portrait of a Photographer
I’ve been following David’s work for many years, and there are several aspects of his work and him as a person that I greatly admire. For starters, he seems to always be forging his own path forward with his images. more
Creative Parallels
David and Joe’s working philosophy regarding this exhibition is to choose photographs which reinforce and confound expectations; images will be chosen in pairs to show correspondences of form, colour, composition and theme. more
Moments in The Wilderness
A large project like this comes with its challenges. Being out alone for weeks on end is definitely one, and it doesn’t seem to get easier over time. Being away from loved ones is hard, especially when I’m on my own deep in the wilderness. more
Issue 284
Click here to download issue 284 (high quality, 128Mb) Click here to download issue 284 (smaller download, 78Mb) more
End frame: Bridalveil Fall Winter into Spring by Charlotte Gibb
This photograph by Charlotte Gibb has been amongst my very favourite images for quite some time now. It is obviously a photograph of a well-known waterfall in the iconic Yosemite National Park, a place that has been photographed over and over again by so many, including of course, the unforgettable Ansel Adams. The reason why I chose this image as a favourite is because Charlotte has managed to make a photograph of an iconic spot that more
Isabel Díez
Water has been present in my photographic work from the beginning, but it is becoming increasingly important. Fluidity gives me peace. more
Into the Woods
Into the Woods is a new exhibition by British photographer Ellie Davies which will showcase work from her new series Chalk Streams. more
The Pursuit of Making Landscape Images and Survival
On the grand scale of things, this progress is all very recent. If you compress the Earth’s entire history into a day, we have had the pleasure of wandering this planet for less than two minutes as modern humans. Cities have existed for just 1/10 of a second. more