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Issue 296
Click here to download issue 296 (high quality, 151Mb) Click here to download issue 296 (smaller download, 111Mb) more
End frame: Tidal Pool #5 by Marianthi Lainas
When I saw this photograph by Marianthi, my first thought was that I was not sure if I was looking at the sea, but I definitely felt it. more
Any Questions, with special guest Alex Nail
Our first podcast features Alex Nail, and we've had questions about his new book, mountain photography, colour management and much more more
4×4 Landscape Portfolio
Our 4x4 feature is a set of four mini landscape photography portfolios submitted by: Charles Judson, Manuel Sechi, Peter Roworth, Teddy Sugrue. more
Jay Tayag
I have wanted to try platinum palladium contact printing some of my negatives. It's been on my mind ever since I started shooting 8x10 and it's another reason why I started to shoot more black and white film. more
Into a Forest’s Breath
Most of my projects usually imply very long periods of waiting, and this one was no exception. I am lucky enough to live in a house with a magnificent view over the Portofino promontory. more
Why We Do It
I’m extremely fortunate that nature photography found me and that I’m in a place that allows me to pursue it extensively. Most of my thoughts could just as easily apply to any creative endeavour or even just as advice on how to improve my life. more
The Larch Ascending
Larch is generally considered to be fast growing and in forestry nurseries can be used as a wind-break to protect slower growing trees such as oak and beech. more
Issue 295
Click here to download issue 295 (high quality, 107Mb) Click here to download issue 295 (smaller download, 51Mb) more
End frame: Advendalen by Sandra Bartocha
The ethereal lighting illuminating the mountainside is what immediately draws the viewer into the landscape. This low sunlight radiates a warmth that perfectly complements the cold blues of the arctic tundra. more
Varanger Fjord in Winter
I went back to a photo trip that was perhaps the perfect trip in many ways, a winter trip to the remote Varanger fjord in northeastern Norway. I'm going to explain why this was such a special trip for me, will you travel with me? more
Vanda Ralevska
I never set out with any intention to make any of my projects. They all come out as a result of experiencing the world. Go out and respond to what you see and feel. Figure out what excites you and what you feel passionate about more
Craftsmanship or Intuition
Craftsmanship is a process, not a finish line. It is developed by constantly challenging what you know already to see if you can go further, by unlearning the learned and by being willing to let go of things that might work but no longer express who you are and questioning what you are being told. more
Sho Hoshino – Portrait of a Photographer
Sho has been able to create a sense of depth by using three tools - colour, texture, and light. By pairing complementary colours such as red and green, Sho masterfully gives the eye a way to move through the frame. more
The Visual Language of Aerial Photography
There has been a proliferation of aerial images in contemporary Australian landscape photography. These aerial images are quite often very abstract in nature, which begs the question – what is the visual language of aerial photography? more