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Any Questions Title Jongibbs
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Any Questions, with special guest Jon Gibbs

In this episode, Tim Parkin and Mark Littlejohn chat with John Gibbs about his experiences in photography, working at the National Trust, and the evolving landscape of the art form. They discuss the pressures of photography, the impact of social media, and the importance of empathy when leading tours. more

Image 18
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Tim Smith

What I’ve learned over the years from painting and photography is that you develop an instinct for what fulfils you, with experience and passion playing a significant role. more

On Landscape Issue80
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Issue 337

Click here to download issue 337 (high quality, 218Mb) Click here to download issue 337 (smaller download, 117Mb) more

Dpn7243 Edit Edit
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End frame: Arran Light by Dylan Nardini

Despite the drama of the captured view, there is no drama with the editing. One could easily have darkened those moody clouds to make it look even more foreboding than it is, but he hasn’t. more

Flowerscapes 011
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Flowerscapes

Foxglove (digitalis), photographed along the road near Garderen, the Netherlands. Thanks to the spots on the inside of the flower, bumblebees and bees are lured into the flowers to snack on the nectar. A couple of months ago, my new photo book, Flowerscapes. A Bug’s Eye View was published. A book that - as the title reveals - is entirely dedicated to our wildflowers, photographed from more

Nlpa
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Natural Landscape Photography Awards 2025

It's the Natural Landscape Photography Awards time of year again, and we've spent the last few weeks making final decisions on winners during a long seven-hour judging session on Zoom. A big thank you to Matt Palmer from Australia, who had to stay up from midnight until the next morning in order to synchronise with the Europeans and Americans on our panel. The rest of our judging panel consisted of Jennifer Renwick from the US, Jack Lodge from more

Nautilus Zion, 2020
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Alex Noriega

Over the past decade and a half, he’s built a reputation for images that are both simple and deeply evocative. The kind that make you pause and look closer. more

Ruby Mountasins, Nevada Usa
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Subscribers Gallery

Following on from Tim’s article about Aspen (Populus tremuloides) in Issue 336, we’ve received a wide range of responses. The images explore the species from different perspectives — from detailed studies of bark and leaf to wider views showing aspen in its landscape. more

Ljp,to
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Walking in the Shadow of Middle Earth

As with many aspects of myth and history, there are contrasting beliefs and political nuances that often clash when attempting to anchor Tolkien's world to specific real-world locations. more

On Landscape Issue80
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Issue 336

Click here to download issue 336 (high quality, 148Mb) Click here to download issue 336 (smaller download, 86Mb) more

Mgi07 02 Web
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End Frame: lo non ho mani che mi Accarezzino il Volto by Mario Giacomelli

Mario Giacomelli is considered one of Italy's greatest photographers, as well as a figure who made the expression of inner feelings his focus. more

Hay A Mgtt25 4
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Mons Graupius, Allegoria Exhibition

An exhibition of historically themed landscape photography at the Trimontium Museum, Melrose, Scotland. From 11th September 2025 until 11th November 2025. more

15 Im Not Touching You (2025 Bp)
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Patrick Krohn – Portrait of a Photographer

When the results of the 2025 Natural Landscape Photography Awards were announced, one image stood out for its bold simplicity: a tangle of roots, exposed and contorted after a hurricane, rendered in earthy tones of red, yellow, and brown. more

Glowing At Hodge Close 6461 Sharpened
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Preservation: A Tribute to the Beauty We Might Lose

Around the globe, landscapes are changing at unprecedented speed—reshaped by the accelerating forces of climate change, human intervention, and shifting ecological balances. more

The Dry Side Of Michael Kenna’s Darkroom Mamta Kenna 2021
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Michael Kenna’s Darkroom Diaries

In the second of five chapters serialising Michael Kenna’s darkroom diaries, we hear Michael discuss the work that he does to interpret each negative, and we see photographs of Michael at work in his darkroom in Seattle, USA. more

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