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Kelp
All I know is that I was wandering with the dog down at Far Away beach one morning. The tide was out. In fact it wasn’t just out. It looked like it was going on its holidays somewhere far off and distant. And as the dog and I wandered, I saw the kelp. more
Changed Priorities
Finding the time to make images and meet my caring responsibilities and work commitments has been difficult. After a period when photography was almost forgotten, I realised that I needed to pursue my passion for my own well-being. more
Issue 275
Click here to download issue 275 (high quality, 100Mb) Click here to download issue 275 (smaller download, 55Mb) more
End frame: “Sand Patterns, Laig Bay” by Hugh Milsom
The photograph I have chosen from the book does another thing, though, important to my own ‘work’. I really like mirroring of features of a landscape in clouds above, the sea below, or in this case, the surf below the landscape. These things are, of course, part of the landscape we look at but are not always used constructively. more
Moon Connection
Landscape and our closest celestial body – photography paths leading through cultural meaning and Cartesian geometry. more
4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios submitted by Graham Meek, Konrad Hellfeuer, Milan Gonda & Peter Conway. more
Astrid Preisz
Nothing in this world is the same twice, and I began to realise that my images could be what they needed to be, and that they followed who I was at a particular moment in a particular place and time. Inwardly, I stopped more and more calling myself a landscape photographer or a nature photographer or even a photographer or an artist. more
Gifts of the Well and the Field
The Well and The Field can bring many such gifts. Both these ways of taking on photography have opportunities for artistic growth. While the beauty of The Well is depth and transformation within constraints, the beauty of The Field is inspiration and freedom without boundaries. more
Hans Gunnar Aslaksen – Portrait of a Photographer
I first became aware of Hans’ work because he submitted it to the Natural Landscape Photography Awards last year, where he earned a top 10 finish for his overall portfolio. more
Discovering Purpose
I wish to highlight how I have begun to find my own purpose, namely through turning moments of pain into something worthwhile, something which I - and perhaps others - may learn from. more
Issue 274
Click here to download issue 274 (high quality, 113Mb) Click here to download issue 274 (smaller download, 67Mb) more
End Frame: Twilight Canyon, Glen Canyon, Utah, by Eliot Porter
These issues are once again gaining great importance with global warming and climate change, a long multi-year drought lowering the lake to critical levels, and the lake silting up more
Laurentiu Pavel
We can thank the light – and work – for slowly but inevitably drawing Laurentiu towards photography. It’s interesting that this, rather than a love of outdoor activities, came first. more
Leaving the Cave
Of course, photographs can also be much more than just (partial) evidence of, or accessories to understanding, what is likely to be true. They can also create new truths. more
The Bleeding Riverbed
This stretch is no more than 40 meters in length, showcasing deep reds, which, when looking closer, could give people the impression that the riverbed was bleeding. more