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Moving Back to Analog
After starting with film and moving to digital for its convenience, Przemyslaw has come full circle—now embracing both formats to harness the distinct mood, colour, and character each brings to an image. more
Issue 325
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
End frame: The Old Pond by Krister Berg
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Beach Aerials
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull – Portrait of a Photographer
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
A Collaborative Book about the island of Orasaigh, Uist
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
Boring Postcards 2
There are now so many images of trees as a sub-genre of landscape photography that it could be argued that they have become a little boring. more
The Photographer’s Extended Mind
Beautiful and helpful though it is to know that we have the capacity for change built into us, the flip side of this reality is that some patterns, once they have been set by an endless mist or by a downpour, can be stubborn. more
Issue 324
Click here to download issue 324 (high quality, 142Mb) Click here to download issue 324 (smaller download, 125Mb) more
End frame: The”Awakening Dragon” by Alister Benn
When I look at the Awakening Dragon, I might or might not know anything about where and when the photo was taken, what Alister had in mind, what mood he was in, or what was going on in his life. It doesn't matter to me as a viewer. more
John Blakemore (1936-2025)
When it does come, the richer the friendship the deeper is the grief but the greater is the consolation from the good fortune of having had such a friend. Thank you John, my dear friend. more
Any Questions, with special guest Rachael Talibart
In this episode, Rachel Talibart shares her journey from a professional city career to becoming a full-time coastal photographer. She discusses her artistic influences, the evolution of her work, and much more more
Brendan Devlin
I like grain, and I like what happens in the highlights with film. They seem to glow. I liken it to how analog recordings sound when driven. There’s a texture and natural compression that keeps the sound from breaking. more
My Photographic Process
Once the proposal was accepted, I began further research on global warming, sea level rise and saltwater intrusion. more
A New Found Love of the Landscape
It matters not a jot if your photography is representational or more creative, whether you take big pictures or little pictures. It doesn’t matter how we capture that love. The equipment we use is superfluous. It's what’s inside us that counts. more