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End frame: Weir, Hollyford River, Fijordland by Tony Bridge
The way that light sculpts the different areas of the image creates interest throughout the image and allows the eye to be guided to fall with the water through the image. more
Len Metcalf
The process of photographing and looking at your work, contemplating, and revisiting, is the basis of my artistic practice. It was how I was taught. It is how I teach too. more
Practicing Photography in a Strange New World
Your photography, your mission, and your cause should be even greater than you are. Seek to change people’s minds and impact them in some way. Share your work because you honestly feel you are making a unique and meaningful contribution to the world. more
Any Questions, with special guest Paul Gallagher
This Eighth episode features Paul Gallagher and we had many questions about conveying messages through photography, the value of English landscape photography, the challenges of photographing green landscapes, exploring colour perception in landscape photography and more. more
The Kingdom of Rust
At the edge of my local beach stands a solid 4 meter high wall of steel, a once impenetrable barrier erected to protect the fragile sandy cliffs from the power of the sea. more
Issue 309
Click here to download issue 309 (high quality, 72Mb) Click here to download issue 309 (smaller download, 43Mb) more
End frame: On the Hill by Renate Wasinger
This aesthetic is something present in many of her photographs. She consistently captures a certain mood, whether it’s in snow or fog, urban or rural settings, minimalist scenes. more
Oliver Raymond Barker
In 2010 there was a seminal exhibition at the Victoria and Albert museum entitles "Shadow Catchers - Camera-less Photography". The show was dedicated to the use of various techniques that involved photographic processes but excluded the use lenses and typical photographic apparatus. I was inspired by the photography of Adam Fuss and particularly that of Susan Derges whose images captured evocative representations of natural processes in an innovative and beautiful fashion. When Michela Griffiths suggested we interview more
The Sound of One Hand
Continuing on from my previous articles, Cloud Allusions and The Thing Itself, which covered the works and ideas of Alfred Stieglitz, Edward Weston and Ansel Adams and how they relate to a Zen understanding of the nature of reality, I come finally to the photographer most widely associated with Zen: Minor White. more
Woodwork by Finn Hopson
There is too much to see and no single photograph could possibly capture it all.” but he does a great job of capturing a broad range of character throughout the seasons. more
NAMIB by Malcolm Macgregor
The design is continued inside, minimal but tasteful. I wasn’t surprised when I learned it was Eddie Ephraums who designed this for Malcolm, he has a great eye for a tight design that really complements photography. more
Adam Johanknecht – Portrait of a Photographer
The links between time spent in nature, physical discomfort, physical activity, and creativity have always interested me since I have often felt more creative during and after a difficult hike or mountain climb. more
Upon the Wave
Knowing the boundaries of the wave and in which direction it leads can help us see what possibilities exist outside of it still lurking in the expanse of creative experience; as the old saying goes “you have to know the rules in order to break them.” more
Issue 308
Click here to download issue 308 (high quality, 124Mb) Click here to download issue 308 (smaller download, 64Mb) more
End frame: Inverted Shadow by Jon Brock
We photographers depend on what we find, but also what technical means are at our disposal – our own skills, focal length of lenses, perspective control and so on. more