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States of Grace
My work is rooted in the serenity I find in the sinuous elegance of organic forms. I photograph intuitively, guided by what I feel as much as what I see. more
David Lintern
Some of you may remember David’s name in the context of the campaign against the planning application for run-of-river hydro developments within the designated wildland areas of Glen Etive in 2020. As well as writing, David photographs, teaches and yes, campaigns, on other matters too. It would be easy to think that passionate advocacy for nature stems from early exposure to it, but in David’s case, this was limited. That’s clearly no longer so, and as more
On Creativity
Creative photography for me means: to look, feel, engage, let the photo grow inside of me, let the photo tell me what it wants to be. more
Issue 235 PDF
Click here to download issue 235 (high quality, 110Mb) Click here to download issue 235 (smaller download, 78Mb) more
End frame: Dorset, 1986 by Sir Don McCullin
McCullin’s landscapes have helped to inspire me to look more carefully at my immediate surroundings, with a view to taking photographs, and to broaden my ideas about what makes a suitable subject for a photograph. more
Joe Cornish – Fisherfield Forest, Scotland
It was a pleasure to host Joe Cornish for a few days at the start of June and he had just come back from a trip with his son Sam and Alex Nail. more
Overcoming Obstacles to Idea Generation and Evaluation
At a very high level, creativity is a process that involves the sophisticated interplay of two mechanisms: idea generation and idea evaluation. more
Acquisitions and Inquisitions
This paradox springs from the fact that photographers’ peers are seen as both their preferred audience and their competition for the acquisition of images. Photographers want to brag about where they’ve been to people who they think will appreciate it. more
Same Tree, Different Day
Later that afternoon, the thought occurred to me to take a photo of the tree every day for a year just to see what would happen. I decided to follow through on that thought, and I had no clue at the time how this simple idea would end up impacting my life. more
Joel Truckenbrod
That quality of silence is probably the single most important element I find within the landscape, and often one of the most difficult to effectively communicate. Perhaps that valuation is a reaction to living in a busy world, which is seemingly always filled with noise and distraction? more
Darkness in the Deep South
The camera is a recording tool: mechanical, technical, objectifying. The photographer is a subjective cypher: selecting, emphasising, interpreting. The bringing together of these antithetical poles can lead to an artistic fusion that is evocative and profound. more
Issue 234 PDF
Click here to download issue 234 (high quality, 123Mb) Click here to download issue 234 (smaller download, 62Mb) more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: David Travis, Dipak Chowdhury, Goran Prvulovic & Ian Meades more
End frame: First in the Series of ‘Oracles’ by David Parker
I love this photograph because it is so mysterious. What is happening? Is it real? Is the water falling or rising, magically suspended or turned to ice? more
Ideas Behind Reality in Photography
For me, the overriding approach is that I want to make sure I express authentic experience. The feelings I want to express in my work are true to my own experience, and my experience is to a large degree influenced by the reality I work in—the beauty and complexity of natural places. more