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End frame: Zen Shadows in Snow by Nicholas Bell
Beyond aesthetics, Nicholas’s work embodies the qualities that I value and strive for in my own photography. Subtlety, nuance, simplicity, and stillness are all traits that characterize his work. more
Matt Redfern
Even within an hour's radius of my home, I can point out the subtle changes in the landscape, such as the gradient of tree species encountered while driving through the Cascade Range. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Josh Murfitt, Judith Linders, Xavier Arnau Bofarull & Steve Williams more
Printing With Carbon Inks
North Atlantic Cost of Spain: Dancer I learned to print on a Canon ImagePROGRAF PRO-1000: screen profiling, print adjustments using Red River ICC files, even some custom profiling. When I switched from color to black and white, it did not take long to realize that a printer designed for color, even with today’s technology, has its limitations. When I met Michael Gordon at his workshop in Death more
Jason Hatfield – Portrait of a Photographer
Jason has leveraged the trials and tribulations of trying to make full-time photography work by parlaying paid commercial opportunities to instill his goal of inspiring others into his work. I think he’s doing a fabulous job. more
Making the most of your photography with older equipment
Spending £1,600 on a compact camera with 40 megapixels or £6,000 on a 60 megapixel body is not something that the vast majority of amateur and professional photographers can justify. more
Issue 310
Click here to download issue 310 (high quality, 78Mb) Click here to download issue 310 (smaller download, 40Mb) more
End frame: Weir, Hollyford River, Fijordland by Tony Bridge
The way that light sculpts the different areas of the image creates interest throughout the image and allows the eye to be guided to fall with the water through the image. more
Len Metcalf
The process of photographing and looking at your work, contemplating, and revisiting, is the basis of my artistic practice. It was how I was taught. It is how I teach too. more
Practicing Photography in a Strange New World
Your photography, your mission, and your cause should be even greater than you are. Seek to change people’s minds and impact them in some way. Share your work because you honestly feel you are making a unique and meaningful contribution to the world. more
Any Questions, with special guest Paul Gallagher
This Eighth episode features Paul Gallagher and we had many questions about conveying messages through photography, the value of English landscape photography, the challenges of photographing green landscapes, exploring colour perception in landscape photography and more. more
The Kingdom of Rust
At the edge of my local beach stands a solid 4 meter high wall of steel, a once impenetrable barrier erected to protect the fragile sandy cliffs from the power of the sea. more
Issue 309
Click here to download issue 309 (high quality, 72Mb) Click here to download issue 309 (smaller download, 43Mb) more
End frame: On the Hill by Renate Wasinger
This aesthetic is something present in many of her photographs. She consistently captures a certain mood, whether it’s in snow or fog, urban or rural settings, minimalist scenes. more
Oliver Raymond Barker
In 2010 there was a seminal exhibition at the Victoria and Albert museum entitles "Shadow Catchers - Camera-less Photography". The show was dedicated to the use of various techniques that involved photographic processes but excluded the use lenses and typical photographic apparatus. I was inspired by the photography of Adam Fuss and particularly that of Susan Derges whose images captured evocative representations of natural processes in an innovative and beautiful fashion. When Michela Griffiths suggested we interview more