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Woodland Sanctuary – Book Review
Alongside the exhibition by Joe Cornish and Simon Baxter detailed elsewhere in this issue, the two photographers also collaborated on a book to work alongside it (and as a showcase for those unable to visit the exhibition). more
The Enigma of the Swamp by Theodor Paues
Theodor’s work has changed over the last few years, from his first forays into landscape photography to the changes in approach that transformed his passion from craft to art. more
Book Reviews
The luxury of having more time to prepare an interview with a photographer is that I can spend a bit of time trying to find any publications they’ve produced in order to get more background information. In Claude Fiddler’s case, I found two of his previous publications and managed to get them delivered quite quickly. more
Book Reviews
I have to admit to being a big fan of Dan Baumbach’s work. His eye for a complex but elegant detail and commitment to working in small geographic areas have really paid dividends over the years more
Book Reviews
Arild Heitmann - Heime Arild Heitmann’s portfolio is not short of the sublime images that many photographers aim for (but mostly miss). He has many photographs drawn from trips to the mountains of Italy or Iceland or of the iconic Arctic hotspots of Lofoten or Sejna. But it’s the photographs he takes from his backyard on the mainland of Arctic Norway, a literal hinterland, that are the subject of his more
Conversations With Nature by Eric Bennett
I first heard of Eric Bennet after listening to one of Matt Payne’s podcasts. Although the photography was excellent, a notch above the usual in many ways, I thought his work was similar to many other “well-travelled” photographers. more
Biblioscapes Reviews
A brief background to Biblioscapes. It is a lockdown side project I started back in April 2020 as a way of sharing a selection of the photobooks I own, offering people an opportunity to view the books as flick-through videos. more
The Karakoram by Colin Prior
This book and these photographs truly are the summits of Colin Prior’s lifelong journey of the imagination. Although it has taken more than 100 years, finally, Vittorio Sella’s baton has been well and truly passed on to Colin Prior. more
Mystical
A mossy labyrinth of gnarled roots and twisted branches, it instantly felt like I was on the film set of Star Wars in the Dagobah woodland which was inhabited by Yoda. more
Fragile by Colin Prior
What makes the project particularly interesting, and relevant, for us is that for each of the exquisitely captured photographs of bird eggs, there is an associated landscape photograph that represents the habitat in which the egg would be found and has been paired to also give an aesthetic complement more
William Neill – “Light on the Landscape”
If you ever think “what would Ansel Adam’s work be like if he’d taken up colour photography instead of black and white?” then the answer is, depressingly, pretty bad as his short trial of early colour film goes to show. If he’d used colour film from a young age and developed his craft I don’t think he would have been too far from what we see from William Neill. more
Passing Through – Paul Gallagher & Michael Pilkington
We spoke with Paul Gallagher a few weeks back and he teased us with some infra-red images then, suggesting a book he'd been working on with Michael Pilkington about Infra-Red. We couldn't miss this as some of the work I had been shown was up there with the best IR I'd seen. more
Luminosity and Contrast by Alister Benn
Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more
Paul Kenny and Doug Chinnery
We’ve got a couple of books to review in this issue, both by Kozu and both authors have been featured in On Landscape. Paul Kenny's creations with saltwater, flotsam and jetsam are both fascinating and exquisitely crafted. Doug Chinnery has no secret of the fact that his photography has been influenced by Paul Kenny’s artworks (amongst others). more
“Shaped by the Sea” Book Review
The project can be summarised as covering the tidal zone of Europe’s Western coastline. Theo humbly says “It was never my intention to cover Europe’s entire Atlantic coast” as if this was perhaps a passing thought, discarded at the last minute. more