Issue 325
Tim Parkin |
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
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Latest Articles
End frame: The Old Pond by Krister Berg
Bill Ferngren |
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Beach Aerials
Theo Bosboom |
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull – Portrait of a Photographer
Matt Payne |
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
A Collaborative Book about the island of Orasaigh, Uist
Michael Faint, Stephen Ely & Charlotte Parkin |
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
Boring Postcards 2
Keith Beven |
There are now so many images of trees as a sub-genre of landscape photography that it could be argued that they have become a little boring. more
The Photographer’s Extended Mind
Alberto Rodriguez-Garcia |
Beautiful and helpful though it is to know that we have the capacity for change built into us, the flip side of this reality is that some patterns, once they have been set by an endless mist or by a downpour, can be stubborn. more
Issue 324
Tim Parkin |
Click here to download issue 324 (high quality, 142Mb) Click here to download issue 324 (smaller download, 125Mb) more
End frame: The”Awakening Dragon” by Alister Benn
Astrid Preisz |
When I look at the Awakening Dragon, I might or might not know anything about where and when the photo was taken, what Alister had in mind, what mood he was in, or what was going on in his life. It doesn't matter to me as a viewer. more
John Blakemore (1936-2025)
Tim Parkin, Joe Cornish & Paul Hill |
When it does come, the richer the friendship the deeper is the grief but the greater is the consolation from the good fortune of having had such a friend. Thank you John, my dear friend. more
Any Questions, with special guest Rachael Talibart
Rachael Talibart, Tim Parkin & Joe Cornish |
In this episode, Rachel Talibart shares her journey from a professional city career to becoming a full-time coastal photographer. She discusses her artistic influences, the evolution of her work, and much more more
Brendan Devlin
Brendan Devlin & Michéla Griffith |
I like grain, and I like what happens in the highlights with film. They seem to glow. I liken it to how analog recordings sound when driven. There’s a texture and natural compression that keeps the sound from breaking. more
My Photographic Process
Benjamin Dimmitt |
Once the proposal was accepted, I began further research on global warming, sea level rise and saltwater intrusion. more
A New Found Love of the Landscape
Mark Littlejohn |
It matters not a jot if your photography is representational or more creative, whether you take big pictures or little pictures. It doesn’t matter how we capture that love. The equipment we use is superfluous. It's what’s inside us that counts. more
Issue 323
Tim Parkin |
Click here to download issue 323 (high quality, 96Mb) Click here to download issue 323 (smaller download, 47Mb) more
End frame: Mussels in the Sand by Theo Bosboom
Birgit Potthoff |
The strong contrast between the black and blue mussels and the light, partly transparent stones makes the eye jump between the shells. The dark color of the colonies contrasts with the orange sand bed. more
on The Photographer’s Extended Mind
Thanks for an interesting article, thought provoking!. I don’t think my camera has been assimilated but then I enjoy the challenge of seeing something and working out how to share best. However can this theory not very well explain why we have an immediate gut appreciation of some images but not [...]
- Jean Robson, 06:12 yesterday
on Any Questions, with special guest Rachael Talibart
Fascinating discussion which resonated with much of what drives me to go out with my camera. I absolutely understand the fascination with waves breaking over rock; I once spent over an hour watching the sea pound a cliff in the Faroe Islands and photographing the water running off the [...]
- Adam Pierzchala, 18:41 12th Apr
on End frame: The”Awakening Dragon” by Alister Benn
Thank you for this, Alister! I'm glad what I wrote resonates with you! This is so far from ordinary! It's wonderful image full of mystery.
- Astrid Preisz, 12:19 7th Apr