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Issue 99 PDF
Browse On Landscape on your Tablet, iPad or Desktop
Memory Colour
The Role of Memory in Colour Representation
Thoughts about Post Processing
What happens between capture to computer & print?
4×4 Portfolio
Kathleen Donohoe, Priamo Melo, Linda Bembridge & David Cundy.
Brian Kerr
Featured Photographer
Endframe “Martinique, 1 January 1972” by Kertesz
Melanie Foster discusses one of her favourite pictures
Finding the Individual
Photography and Person
Thomas Peck’s Critiques – Ice seal
From Bruce Percy’s book: Iceland, a journal of nocturnes
sponsored by ..
Get it right in camera or fix it in post processing? It's the age old question and we have only one answer - both! No matter how accurate your camera's colour, your own talent at capturing images or how amazing your post processing skills are, you need all of these skills to create the best . In this issue both Richard Fox and I are thinking about how to relate the experience out in the field with what happens when we get the pictures home in front of our computer. Richard looks at the gap between capture and post processing and I take a look at our understanding and memory of colour.
This issue also sees Michela Griffiths talking about individuality in photography. All of this comes down to taking control over your own photography and developing a personal approach in subject, meaning and delivery.
Tim Parkin
Issue 99 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. We've split the PDF into highest quality and small download versions now. The small download is still good enough quality for general browsing and reading but you won't be able to zoom into the smaller images as much as with the larger. Click here to download issue 99 (high quality, more
Memory Colour
Colour - it’s something we sort of take for granted. After all the camera records the correct colour and then we play with it. Right? Well - not actually. Cameras are definitely getting better but they are certainly not perfect yet and if we add in the effects of camera profiles then what we actually see when we load our photos into Lightroom (or whatever) isn’t necessarily what we expect. Many of us think this probably doesn’t matter, after all more
Thoughts about Post Processing
Visual information processing is the reasoning skill that enables us to process and interpret meaning from our eyes. The way we perceive plays a big role in our everyday life. more
4×4 Portfolio
This issue's landscape photography 4x4 portfolio features Kathleen Donohoe, Priamo Melo, Linda Bembridge and David Cundy. more
Brian Kerr
For this issue we've been talking to Brian Kerr, Dumfries born and now Cumbria based photographer with a passion for the hills. Can you tell me a little about your education, childhood passions, early exposure to photography and vocation? It’s fair to say that along with the majority of the population in the 1970s, our family only had instamatic-type cameras; expensive SLRs were something that other people had. I do remember borrowing my Dad’s Polaroid but I can’t have been more
Endframe “Martinique, 1 January 1972” by Kertesz
My end frame image is a photograph that for me goes some way to represent the many facets of our plight for artistic development and indeed our struggles to be creatively free. more
Finding the Individual
Every time I read an article that advocates individuality in photography I let out a silent cheer. more
Thomas Peck’s Critiques – Ice seal
Many photographic images are illustrative. They present the viewer with whatever is in front of the camera. more