on landscape The online magazine for landscape photographers
Issue 266
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End frame: Lights of New York City 1972 by Ernst Haas
Glenys Garnett chooses one of her favourite images
Arild Heitmann
Featured Photographer
Equivalents
The Landscape as a Metaphor
The Straight Handicap
Purism, in the sense of rigid abstention from any control, is ridiculous
Blue Ridge Parkway
The Softness of Spring
Pressing Restart
Ruminations While on a Creative Break

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

I’ve written in previous editorials about my desire to experience more of the outdoors to inform my landscape photography and, as part of that, last year I decided to try to gain a Summer Mountain Leader qualification. In order to do the training for this you have to have done a certain amount of challenging walking already and so after adding a few extra days over the summer, also covering some aspects of the syllabus like navigation, ropework, etc. I attended the training course two weeks ago.

The six days of the course based in the Lochaber Mountain Rescue centre were quite intense, each of which was a full 10 hours and most of the syllabus was based outside in the hills plus every day had a lot of weather. In addition, the last two days were an expedition out to camp in the mountains in order to get some general camping-oriented learning but also for the trainees to try out night navigation. Our expedition coincided with one of the windiest and rainiest nights that the area has seen in a long time with 1” of rain falling in an hour, causing a few landslides and making night navigation quite challenging (we couldn’t see anything for the head torches reflecting off the sheets of rain!).

All things considered, the course went extremely well. It also had the side effect of making me realise that awful conditions weren’t actually that bad if you’ve got the right gear. So, on the following week, me, Charlotte and Charlotte’s brother Jonathan decided to brave the poor forecast for a circuit around Stob Ban in Glen Nevis. The rain and wind held off until the top of the mountain, which made for a bracing traverse, but it was all great fun!

I’ll need to get another 30-40 full days out in the mountains before the assessment next year - which isn’t going to happen if we just stuck to fair weather days. However, the other advantage of ‘poor’ weather is the dramatic scenes that unfold, as long as you can keep your camera dry - which can be a challenge!

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Ml

Tim Parkin

Content Issue Two Hundred and Sixty Six
On Landscape Issue80
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Issue 266

Click here to download issue 266 (high quality, 176Mb) Click here to download issue 266 (smaller download, 100Mb) more

Lights New York City 1972 Ernst Haas
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End frame: Lights of New York City 1972 by Ernst Haas

Photographers that, for me, encompass not only a creative vision but also a philosophy and approach to photography that I aspire to. more

Monsterberg
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Arild Heitmann

“Heime” was my statement as an artist and looking back it feels like it shows my development as a photographer perfectly. It contains images both from the past and from the present day, all weaved together. more

Paradise Lost
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Equivalents

This image was not particularly well received on social media or even among friends, but I found it riveting. What was it about? Ostensibly it was an image of a section of a stump of a tree, but that’s not what I saw when I looked at it. I never saw the root as wood but instead saw bone. more

Broken Rhythm
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The Straight Handicap

Beware, straight photographers. Machines can now do what you do as well as, perhaps better than, you can. What will you do to keep yourselves—and photography—fresh and relevant? more

Nye Simmons Brp 7 Nye4094
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Blue Ridge Parkway

The Blue Ridge Parkway is a 469-mile-long roadway and corridor connecting two National Parks, Shenandoah and the Great Smoky Mountains. more

Chris Murray Dsc5868 2
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Pressing Restart

My thoughts turn to what it will take to move beyond this creative rut. I already know the answer, and it is this: just do the work. more

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