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We’re on the sixth episode of our “Any Questions?” podcast series, and I’ve been really enjoying the chance for Joe Cornish and me to put some of our readers’ questions to a range of photographers. For this episode, it was a pleasure to chat with David Ward, as it always is. One of the topics we covered was “What is style?”—something I think gets to the heart of what landscape photography is about. As photographers, we often get caught up in the goal of finding the perfect picture (which we also talked about in the “curse of the masterpiece”), but this act of looking for that picture can take us down roads that we’re perhaps not interested in but feel we have to take.
The attraction of popular locations and subjects is enough to pull us away from just doing what interests us. And “what interests us” is a bigger influence on personal style than any post-processing elements or choices of location, etc. Over time, our interest in different aspects of the outdoors—such as geology, weather, flora, etc.—will influence what we look at and how we weigh the contents of our frame. This influence will become consistent and, over time, be one of the characteristic features of our style. These balances of interests beyond the craft of photography create a unique signature that, combined with craft, produces an engaging and interesting portfolio.
Talking about David Ward’s work, he may take pictures in many different locations around the world, but his fascination with the way light works, with juxtapositions of shapes, with the patina of decay, and with emergent forms in nature all combine to give an overall character to his portfolio. His eye for recognizing potential in the world and the craft to mould it into something engaging to the eye and brain defines his style. Spending more time interested in the world and less interested in post-processing and gear may seem trite, but that’s the takeaway this week!
Tim Parkin
Issue 306
Click here to download issue 306 (high quality, 120Mb) Click here to download issue 306 (smaller download, 63Mb) more
End frame: Nefyn by Pete Hyde
I can't exactly remember how I came across it but I immediately got amazed by that sense of getting lost in emotions that you can feel in each of his pictures. more
Underwater photography without diving
Whereas the use of drones has boomed within landscape photography, the opportunities for underwater photography are hardly exploited, if at all. more
George Kalantzes
Picking up on Stieglitz’s concept of equivalence, the images that appeal to me most are well composed and contain subtle elements that engage and challenge the viewer to look deeper into the image that they might discover or share in your personal experience. more
Any Questions, with special guest David Ward
Welcome to the sixth episode of our "Any Questions" series, where hosts Joe Cornish and Tim Parkin delve into the questions you've submitted. This month's guest was David Ward, and we had a bunch of questions about his thoughts about the curse of the masterpiece, the transition from film to digital, what style means in photography, how the art world perceives landscape photography and much more. more
The Road Not Taken
Walking remains a relatively cheap way of travelling (depending on how far you need to pay for accommodation if walking long distances) but takes time. While the slow speed is an advantage for the photographer, taking the camera for a walk also has some disadvantages. more
Exploration and Remembrance in Southwestern Oklahoma
Southwestern Oklahoma is not considered a famous tourist destination, but that’s another reason I have always been drawn back to that part of the U.S. The refuge itself has long held a peculiar place in my memory because it is so very different compared to my home in Appalachia. more