on landscape The online magazine for landscape photographers
Issue 308
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End frame: Inverted Shadow by Jon Brock
Charles Twist chooses one of his favourite images
Any Questions, with special guest Paul Wakefield
Episode Seven
4×4 Landscape Portfolios
Anthony Jacobson, Claudio Neri, Louis Iruela & Steve J. Giardini
Bernd and Gundula Walz
Featured Photographers
Love of a mountain
A counterbalance for everything else around

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

I’ve recently been thinking about the connection between music and landscape photography. What prompted this was a comment on a social media post where the author said “these aren’t good photographs”. The discussion went on to reveal that the photographer in question just didn’t like the type of photographs they were commenting on.

I was left wondering why people are happy to say that they don’t like certain genres of music but can appreciate that they may be good, while in photography, people are more likely to dismiss work that is outside of the genres or styles that they like.
For example, I’m a fan of country-picking guitar and banjo (Appalachian style), but if I played some to a random person, they might say, “I’m not really a fan of that sort of music”. However, show them a complex abstract photo of rock patterns, and they’re more likely to dismiss it as “a bit crap”. (I understand that this is a generalisation!).

I think possibly my landscape photography has entered it’s postmodern bluegrass celtic bagpipe revival phase. That might explain some of the feedback I’m getting!

Croftnfive

My freind Somhairle’s amazing Scottish trad, funk, world and EDM fusion band, “Croft No. 5”. Playing Glasgow 16th August

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Tim Parkin

Content Issue Three Hundred and Eight
On Landscape Issue80
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Issue 308

Click here to download issue 308 (high quality, 124Mb) Click here to download issue 308 (smaller download, 64Mb) more

R0474v Portmgleam 11
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End frame: Inverted Shadow by Jon Brock

We photographers depend on what we find, but also what technical means are at our disposal – our own skills, focal length of lenses, perspective control and so on. more

Three Heads Wakefield
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Any Questions, with special guest Paul Wakefield

This month's guest was Paul Wakefield, and we had many questions about lighting, working with art directors, origins of style, emotional connection, different camera formats, AI landscapes for car photography and much more. more

D12 Edit
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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by: Anthony Jacobson, Claudio Neri, Louis Iruela & Steve J. Giardini more

G Wadden Sea
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Bernd and Gundula Walz

We both invest a lot of time in post-processing. In our opinion, it is only in this step of the workflow that a photo becomes a picture. In post-processing, we can give the image our personal style. more

240110 Ulvåsbergen 16
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Love of a mountain

I reflect on the present and what seems to be the expected. Unfortunately, I think photography becomes a reflection of the society and culture around us. more

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