on landscape The online magazine for landscape photographers
Issue 314
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End frame: Plastic, Perception, and Persistence by Mandy Barker
Clare Newton chooses one of her favourite images
Rannveig Bjork Gylfadottir
Featured Photographer
Home
New photo book collaboration
Interview with David Ulrich
Oceano: An Elegy for the Earth

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Last week, I took a couple of photographers out for a short trip to some highlights of the Glencoe area. We visited Rannoch Moor (Loch Ba), The Study (View of the Three Sisters) and Loch Tulla (because a traffic accident on the A82 prevented us from visiting Glencoe Lochans and Kinlochleven - my first choice). We had great fun and took a few lovely photos, but I noticed what people found interesting as a first visitor compared with what I found interesting as someone who lives here. There weren’t any particularly iconic examples of this. Still, one of them was admiring some of the pretty pedestrian remnants of Georgian road building, another around the local flora (carnivorous plants and fire grasses). It was a reminder that we bring a lot of context with us when we travel to different places and when we’re looking at photographs. What might appear boring to us may be amazing to a viewer from another location, and what we think are stunning conditions may be every day elsewhere (it’s sunny! In the Highlands! No, you don’t understand, it isn’t raining!). One of the special things about this autumn was the amazing show of berries, particularly rowan berries. The trees have been hanging heavy with them but if this was your only season visiting, you wouldn’t know why that was special/unique. My takeaway was to never take anything for granted or presume that your once-in-a-lifetime moment is going to create waves. One thing I am hoping for is that the old wives' tales about lots of berries are true and that we have the stunning winter we deserve after the last few year’s washouts!

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Tim Parkin

Content Issue Three Hundred and Fourteen
On Landscape Issue80
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Issue 314

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End frame: Plastic, Perception, and Persistence by Mandy Barker

Mandy’s process is deceptively simple. She photographs fragments of our plastic-infested oceans gathered on the shores and then laid on a black fabric background with just the sun to light up the sculptural waste. more

Img 1218
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Rannveig Bjork Gylfadottir

Rannsy has had a long-standing interest in photography, beginning with capturing family moments with instant film cameras and moving on to explore people and places through travel. more

Alex Wesche 2
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Home

In early September, John Ash and Paul Gotts announced the launch of their fifth photo book, “Home,” for a six-week pre-order period. The book features 38 images from Mali Davies, Mick Houghton, and myself. more

010.oceano Dunes #12, Ca, 2019
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Interview with David Ulrich

This is the ultimate paradox of the creative process; that the deeper we strive to penetrate within ourselves, the more we reach a common ground of shared human concerns. more

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