on landscape The online magazine for landscape photographers
Issue 319
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End frame: Flow, by Simon Baxter
Brian Northmore chooses one of his favourite images
On Engagement with ‘Form’
Part One
Matt Oliver
Featured Photographer
My History with the Wetlands
The Chassahowitzka National Wildlife Refuge
Dream Hunter – The Genesis
Insights from my Printing Journey

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

So Christmas and the New Year brought snow and ice to Glencoe, but despite the wonderful conditions, it also brought flu and colds. The Parkin household became torporous and the desire to do anything beyond sit in front of the log burner could not be found. Fortunately, it only lasted a week, but sadly, it loosened its grip just as the ice loosened its hold on the landscape. Over the last week, the temperature in the local area rose from -15C to nearly +15C in some places!!

In the depths of my flu, I spent a bit of time on various internet shopping sites to attempt retail therapy by buying photography books. One of the books I found was a copy of Ken Duncan’s showcase book (If you don’t know of Ken Duncan. He was Australia’s preeminent landscape photographer from the last century - sort of like an antipodean Colin Prior). Ken created a wonderful showcase collection of his work called “The Ken Duncan Collection”. This was a leather-bound coffee table book in an edition of 1000 that was over a metre wide when opened. I saw what I thought was a reproduction copy for £20 on eBay and thought it was worth a punt. I was quite surprised when the parcel weighed over 6kg! It was the original limited edition copy. For once, retail therapy worked, and I was delighted for an hour or so while I perused Ken’s amazing panoramic photographs (well, OK. Some of them are a bit overblown, but Fuji Velvia sunsets in the Australian landscape are pretty wild!).

Img 8280

Call that a knife? This is a knife! [Mandela warning]

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Tim Parkin

Content Issue Three Hundred and Nineteen
On Landscape Issue80
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Issue 319

Click here to download issue 319 (high quality, 200Mb) Click here to download issue 319 (smaller download, 146Mb) more

Flow
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End frame: Flow, by Simon Baxter

When I was asked to write this piece and given the freedom to choose any photograph, I chose the photographer first. It's the photographer who makes the image never the other way around. I admire Simon’s approach to photography. It is clear in what he says, how he works more

6. Oewf
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On Engagement with ‘Form’

It is an approach that I have applied for some time and that has allowed me to start pursuing, as acclaimed American photographer Ralph Gibson puts it, a “visual signature” and to evolve the artistic outcomes I seek (and the methods by which I achieve those outcomes). more

This Way That
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Matt Oliver

Above all, stay curious, walk around the next corner, over the distant hill; slow down, be patient and observe. I think all these processes have certainly helped me to keep learning and improving. more

13
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My History with the Wetlands

The Chassahowitzka National Wildlife Refuge is a very fragile, spring-fed estuary on Florida’s Gulf Coast, 70 miles north of Tampa. more

The Matrix
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Dream Hunter – The Genesis

The process of printing my book has been a profound learning experience. From selecting the right printer and paper to deciding on the number of copies, I discovered a wealth of information over the past few months. more

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