on landscape The online magazine for landscape photographers
Issue 349
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End frame: Point Five Gully by Jean-Marc Boivin
Alex Roddie chooses one of his favourite images
Lightroom Insights
Episode Two - Ross Davidson
Hanneke Van Camp
Featured Photographer
4×4 Landscape Portfolios
Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey
How to Develop Your Composition Skills by Ignoring the Grand Landscape
A Different Way of Thinking
Zalman Wainhaus – Portrait of a Photographer
Photography as Pattern, Abstraction, and Quiet Endurance
Ballachuan Wood
OS ref. NM763153

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

We have the second instalment of our “Lightroom Insights” article in this issue, with Joe Cornish and me taking a look at photographs from one of our willing volunteers. I got in touch with Ross Davidson to ask if he’d be happy to donate a RAW file and he said yes (with some trepidation I imagine!). Ross’s photographs are both taken from the flanks of Ben Nevis (near the top of the zig zags) and look toward the South and South West. Neither Joe nor I had a preview of the way that Ross had edited the files (both taken on his Nikon Z7ii) so it was an interesting exercise in personal expression.

The recordings went well and we even stayed pretty close to our goal of only 30 minutes for edit. Annoyingly, I had a hard drive error when editing the recordings and so my screen recording didn’t work. Fortunately, Joe still had his recording of our Zoom session so only a bit of quality was lost. Looking back at the sessions, I think they’re a really intriguing way of approaching a few photographic topics. Firstly, the very obvious of ‘how do you use Lightroom?’ and secondly the ‘How do you approach post-processing a photograph?’ and finally ‘What do different people do when processing the same photograph?’.

If you’re interested in subjecting one of your photographs to Joe and my post-processing, please send in a raw file to submissions@onlandscape.co.uk.
Oh, and losing my screencast recording was annoying, BUT while I was trying to ‘fix’ my hard drive I did find an old photograph that I thought I’d lost in the previous hard drive failure. I applied some of the Lightroom editing approaches that Joe and I had used and ended up quite pleased with the outcome. Every cloud has a silver lining (or in this case a funny blue lining).

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Tim Parkin

Content Issue Three Hundred and Forty Nine
On Landscape Issue80
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Issue 349

Click here to download issue 349 (high quality, 137Mb) Click here to download issue 349 (smaller download, 74Mb) more

Point Five Gully
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End frame: Point Five Gully by Jean-Marc Boivin

This image’s stop-you-in-your-tracks shock and awe works precisely because the climber is obscured, dehumanised, turned into an object or perhaps an extension of the mountain. He is marked, claimed. more

Joe Edit
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Lightroom Insights

This time, we're looking at a couple of images submitted by Ross Davidson. They're both taken from near the summit of Ben Nevis and feature a few editing challenges. more

Bluegold Hvc 2048
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Hanneke Van Camp

Arctic Europe is a vast and diverse region, but while the environments themselves can be quite different, from mountains and fells to taiga, tundra and the coast, there’s also a certain consistency in the kind of light, atmosphere and the sense of space. more

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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey. more

Angular Ice
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How to Develop Your Composition Skills by Ignoring the Grand Landscape

Instead of recipes and rules, I found a framework: Once we, as photographers, have found a scene we want to turn into a photograph, we can layer and blend these concepts, choosing the best tools based on the subject we are photographing and the visual message we hope to convey. more

Dsc 0685
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Zalman Wainhaus – Portrait of a Photographer

He is interested in the moment when a dune ridge catches fire for thirty seconds at dusk, or when fog reduces a canyon wall to a suggestion, or when a single autumn leaf lands on rippled sand and becomes the only warm note in a composition of cool curves. more

On L Bullachaun Wood 4
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Ballachuan Wood

The fact that this wood has not been ‘farmed’ has, over time, allowed a rich and complex ecosystem to evolve, supporting the interconnection between trees, fungi, bryophytes, lichens, insects, birds and animals. more

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