Issue 321
Tim Parkin |
Click here to download issue 321 (high quality, 131Mb) Click here to download issue 321 (smaller download, 92Mb) more
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Latest Articles
End frame: Papaver Nudicale by Tine Poppe
Carolyn Cheng |
The flowers, just past their peak and beginning to wilt, are set against the smoky, foggy and greyed landscape backgrounds, which evoke the tumult and terror of Romantic era painters working in nature’s Sublime. more
Charles Millen
Charles Millen & Charlotte Parkin |
The move also reignited my passion for photographing Tasmania’s wilderness. Adjusting to life back home took time, but it allowed me to develop the skills needed to explore and photograph remote areas confidently. more
4×4 Landscape Portfolios
Enzo Crispino, Goran Prvulovic, Mika Stetsovski & Peter Berlinghof |
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Enzo Crispino, Goran Prvulovic, Mika Stetsovski & Peter Berlinghof. more
Unromantic River Rhine
Peter Berlinghof |
Further down the stream where I live, the landscape is completely different as the river enters the North German lowlands and the Lower Rhine region begins. The area is densely populated and the banks of the river are full of industrial compounds and settlements. more
Rhythm & Color
Mika Stetsovski |
For the last couple of years, I've been living in the beautiful country of Armenia. During this time, I’ve travelled across almost the entire country, experiencing its diverse landscapes and seasons. more
Over the Waves (Part 3 – Crashing the Rocks)
Goran Prvulovic |
The most exciting part is when waves crash the rocks of the shore. It looks like the rocks are winning, but over time, waves are shaping the rocks, too more
Meeting with William Turner
Enzo Crispino |
The photographic project, Meeting William Turner, was intended as a homage to the great romantic landscape painter and master of capturing light. more
Brenda Tharp – Portrait of a Photographer
Matt Payne |
Her connection to nature deepened over the years, and she ultimately carved out a career in editorial and commercial photography. Yet, it was her passion for outdoor and nature photography that called her back to her roots. more
The Art of the Print
Bill Ferngren |
Recently, I had the opportunity to participate in the Swedish Photography Championships, where I was thrilled to win in the Landscape/Nature category. The competition begins with a digital qualification and transitions to a print final. more
The Big Move
Mark Littlejohn |
And that love, that feeling of awe at the smaller and smaller world around me, led me to take all sorts of images that would have been beyond my more narrow-minded Cumbria persona. more
Reading the Landscape
Murray White |
Choosing to follow an instinctive rather than intellectual pathway through an image and its supporting text does not necessarily weaken the veracity of the subject matter either. more
Issue 320
Tim Parkin |
Click here to download issue 320 (high quality, 172Mb) Click here to download issue 320 (smaller download, 145Mb) more
End frame: Big Horn Sheep and Mesa Arch, Canyonlands National Park by Whit Richardson
Bret Edge |
On the day Whit made this image, he arrived early and photographed sunrise from these more conventional perspectives. After some time close to the arch, he walked farther back to experiment with compositions at a distance. more
Exploring Sumi-E
Krister Berg |
These three techniques—Sumi-e, Negative Space, and black-and-white photography—have inspired a series of images that can really only be created during snow-rich winters. more
René Schädler
René Schädler & Michéla Griffith |
At such moments, I stretch out my arms and take a deep breath, trying to anchor the indescribable feeling of vastness and stillness within me and - as best I can - transfer it to the picture. more
on The Art of the Print
This was a really good insight in your meticulous work flow Bill. Thanks for sharing!
- Krister Berg, 05:20 18th Febon Exploring Sumi-E
super article, Krister - interesting, erudite but digestible and of course the accompanying imagery is wonderful - really love your way of seeing and admire that you only photograph in black and white - I don’t think I could do that, though I’m sure it would be a good challenge ;) [...]
- Lizzie Shepherd, 20:08 17th Feb
on The Big Move
Cheers! I was channeling my inner Lizze with the reeds...
- Mark Littlejohn, 09:26 15th Feb