


Artistic Style
Tap into your senses and let them come to the fore when you are out on the hill or wherever you are making pictures, and don’t be defeated if you have a bad day, for they come with the territory. more

Up, Up and Away!
So to conclude – get yourself into a balloon, in this country, or especially if you travel to another. My advice to all UK balloon company owners – do special photography flights and target your business towards us in the summer months. more

Paul Wakefield Workshop
If you ask many people who the seminal landscape photographers in the UK were I'm sure a majority would mention Joe Cornish and Charlie Waite. However who would Joe and Charlie mention if asked the same question. The answer would undoubtedly include the well known such as John Blakemore and Faye Godwin but on the colour side I can guarantee Paul Wakefield would be mentioned. Paul is perhaps not more

Judging Competitions
I’ve written about judging competitions and also other aspects of competitions in the past but in the last year, I’ve been involved in the judging and/or planning of two high profile competitions. more

The Joy of 6×6
Over the years there have been numerous 6x6 rangefinder cameras some with collapsible lenses. The last true 6x6 fixed format rangefinder was the Mamiya 6. more

Terry Johnson
At On Landscape have been aware of Terry and his growing body of work for some time. His approach to photographing trees is strongly graphic and quite reminiscent of some oriental art. more

Shooting Astro in Cappadocia
Just like any adventure, it began with uncertainty, which plummeted to hard times, but it was hard graft, high spirits and the search for something entirely different that brought it all back home. more

Walking in the Dolomites – Fuji X or Nex
I picked up an XE1 and 18-55mm zoom lens secondhand with spare batteries and case which enabled me to perform some preliminary testing vs the Nex 5n and Nex 7. I had high hopes for the JPEG output and for the quality of the zoom lens. more

Intentional Camera Movement and Multiple Exposure Photography
Our first instalment of Doug Chinnery's series on using Intentional Camera Movement (ICM) and Multiple Exposure (ME) creative landscape photography techniques more

Wild Waters, Wetlands & Ice
In June, lots of snow is still left in the highlands. From the air you can see patterns of colourful rhyolite mountains mixed with snow stained by volcanic ash. more

Leaving Room …
During a recent one-to-one session, my client - a charming, intelligent and talented photographer called Pam - told me that she often agonised about why she made photographs. more

Shadowlands
The shadow of self doubt is haunting and persistent; no matter how often the reassuring voices are heard it is the questioners and cynics to which the self doubter listens. more

From the Ashes Rise
My plans were deferred however after a fire broke out at the southern end of the forest. Probably caused either by a carelessly discarded cigarette or disposable barbecue, the blaze required over 100 firefighters to contain it. more

Autumn River
Any photographer who chooses to make autumn their subject faces the significant problem of distinguishing their work from the heavy weight of photographic precedent. With so many images of autumn produced each year it is perhaps inevitable that a strong element of cliché cloaks the whole area. Is it possible to make work which lifts autumn into mystery and strangeness, enabling us to look again at the season with fresh eyes? more