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Harris and Berneray
While I was processing these images of Harris and Berneray in The Outer Hebrides I came across some great images by Mike Prince in Issue 136 of On Landscape, also taken in West Harris. more
Endframe: ‘A view of Bossington Beach looking west, taken in the early morning’ by Joe Cornish
It was a moment that struck me immediately, a deeply visceral study of light, form, flow, textures, and gravitas. Here was a photograph that seemed to be about a time and place, not merely a documentary. more
Endframe: Morning Mist, Rock Island Bend by Peter Dombrovskis
Is it idealistic to believe a photograph can change the world? Perhaps. But if it can happen, then it would a photo like this: an arresting image of an epic monolith in a primal setting. I suspect it somehow connects with the ancient parts of our brains. more
End Frame: René Burri – Men on a Rooftop – Sao Paulo 1960
Andrew Tobin chooses one of his favourite images: René Burri - Men on a Rooftop - Sao Paulo 1960. more
Endframe: Seattle Gasworks by David Fokos
Some images pass by while others grab your attention immediately but still allow you to move on. Others both grab your attention immediately and get under your skin. more
Endframe: The magical forest by Sandra Bartocha
I don’t remember the large landscapes when I’ve been out. In those moments of tranquillity, it’s the small elements I remember - the light dancing through the leaves on the trees or the frost glistening on the grass in the sunrise. more
Endframe: ‘Four trees, Rannoch Moor’ 1981 By Fay Godwin
When I received Charlotte's email asking me to consider writing an End Frame article for On Landscape a swirl of photographs immediately began to spin as if in a washing machine in my mind. more
Endframe: Upper Torridon, Winter Dawn by Joe Cornish
The midground provides a delicate connection between the upper and lower regions of the frame, with the two crops of land almost ‘reaching out’ to each other. more
Moving into Film
I’ve never really been a kit man, so to speak. Since starting my journey in landscape photography a few years ago, almost every shot I have taken has been on one of two lenses. Now I can already imagine the incredulity that some will feel reading this, what an amateur! But I think it boils down to two reasons – firstly to save weight as a lot of my photography is spent up and down mountains and secondly the cost more
Endframe: Radiant Pastels by Guy Tal
Guy Tal’s “Radiant Pastels” represents one of the many images that drew me to his photography. It impresses me with its deep energy, stillness, and contemplative quietness. more
Endframe: Postured Birches by Dav Thomas
Three years after the publication of Dav’s book With Trees, it’s still my go-to option when I have half an hour’s browsing time more
Endframe: Winter Tees Mono V1F by Robert Fulton
This image was Winter Tees, and ironically, having seen Roberts work for several years and followed his many images from the Trossachs, I had never seen his Yellowstone collection. more
Endframe: Oaks, Mist, Melting Snow, Yosemite by Charlie Cramer
About 15 years ago I happened to pass by a photography gallery in Oakhurst California and decided to drop in. Oakhurst is about 1/2 hour from the Mariposa gate of Yosemite National Park and there were many very large photographs of the park on display. more
Endframe: Afterlight, Eigg by Richard Childs
Ever since stepping into Richard Child’s gallery, I’ve been a huge fan of his work. To pick one favourite image is an impossible task. more
Endframe: Migrant Mother, by Dorothea Lange
From 1935 t0 1944 the FSA ran a program of photography, hiring photographers to document the plight of poor farmers and migrant workers. Altogether, eleven photographers were hired for this project, but in particular Gordon Parks, Walker Evans and Dorothea Lange. more