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318 Search Results Found For: "1z0-1106-2μ‘μ‹œμžλ£Œ 😯 1z0-1106-2μ΅œμ‹  μ—…λ°μ΄νŠΈλ²„μ „ λ€ν”„λ¬Έμ œ 🦍 1z0-1106-2μ΅œμ‹  μΈμ¦μ‹œν—˜μ •λ³΄ 🍚 ⏩ www.itdumpskr.com βͺ을(λ₯Ό) 열고⇛ 1z0-1106-2 β‡šλ₯Ό μž…λ ₯ν•˜κ³  무료 λ‹€μš΄λ‘œλ“œλ₯Ό λ°›μœΌμ‹­μ‹œμ˜€1z0-1106-2μ΅œμ‹  μ—…λ°μ΄νŠΈλ²„μ „ 덀프곡뢀"

Guy Tal

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...using Skype which worked very well although but the different levels meant that my voice was quieter than I would have liked, please let me know if it is too quiet and I will try to fix using post processing. You can see some of Guy Tal's photography at http://guytal.com/. https://media.blubrry.com/onlandscape_passing_through/www.onlandscape.co.uk/wp-content/uploads/landscapegb/23/guytal/interview-podcast-guytal.mp3 Podcast: Play in new window | Download Subscribe: RSS...

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Shooting into the Sun

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...or something. The picture below shows a comparison of our previous picture which includes lens flare and veiling flare and the same shot (almost) with my finger in front Once you've got these two pictures, you can combine them into two layers and use a layer mask to allow you to brush out the negative effects of the flare. Clipping...

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The Natural Landscape Photography Awards

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...find it difficult to compete with photographs that depart from these constraints. The competitions we see online sometimes reward the technical skills of post-processing, compositing and graphic design over the challenges of working within the limits of the real world. How rarely can a portrayal of a real scene compete with the deluge of extraordinary juxtapositions of perfected moments? The...

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Blue Fields

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This story started several years ago. An email arrived out of the blue: 'My boss has seen your pictures in a magazine and was wondering if you do workshops? He lives in Sydney and is coming over to Europe to see friends and would like to spend a week with you'. I didn't want the responsibility of professionally providing good...

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Camera Competition

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...lens plus a camera strap plus a roll of Portra 400 and a roll of Fuji Velvia 50 plus developing at a commercial lab and finally a drum scan of 10 of the best photos and a feature story on Great British Landscapes!! Total commercial value nearly <cough> £1,000!! ** So - send us your suggestions to info@landscapegb.com and don't...

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Trip the Light

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...hold an empty sky. My first time visiting a new area I'll keep my expectations low. I arrived at the dunes in the late afternoon to get a feel of the monument and where I wanted to shoot the next morning as I'd be coming in, in the dark. You can se more of Valerie's photography and writing at http://valmillett.blogspot.com....

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Stories in the Landscape

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I am a photographer, a photographer of stories in the landscape. I try to look at the world around me, and despite all its complexity, superficiality and speed, I present its beauty in an unusual, inventive way. I take pictures of joy, freedom, melancholy, sadness or fairy-tale, roughness, infinity. For years I tried to master and perfect my landscape photography....

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Houston, We Have a Problem…

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Following the recent Meeting of Minds conference, photographer and blogger Malcolm Ragget’s posted his personal summation of the weekend. (http://mraggett.wordpress.com/2014/11/25/onlandscape-conference-craft-versus-art/) David Ward - Eggum Boatshed In a thought-provoking article, Malcolm calls for landscape photographers to broaden their horizons and consider metaphor as a key ingredient of a good photograph. Toward the end of the post he makes a plea for...

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Niall Benvie’s Retrospective

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...had landed differently you might not be looking back on 30 years? Luck. We’ve probably both come across lazy photographers who have prospered and hardworking ones who haven’t. I imagine there are a whole number of factors that lead to this - personality; the complexity of the work; birthplace etc. etc. In my case, good things have happened just at...

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Winter Trees

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...their dormant state having shed their foliage for the onslaught of winter storms, waiting to express themselves again come spring and summer. It feels like the answer is a combination of both the subtleness of the naked trees and the promise of future growth that has brought me the satisfaction of making these images. The sap has stopped running and...

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